
Harold Lloyd (1893-1971)
Sadly
Harold Lloyd's films are nowhere near as well known as his rivals
Chaplin and Keaton. Lloyd himself rarely reissued his work and since
his death the films have been seen very rarely on TV and video compared
with all the other film comedy greats. Hopefully this state of affairs
will be at least partially reversed when his films are issued on DVD
late in 2005 and Lloyd will at last get some recognition for his genius
as both a comedian and auteur. In the Twenties he was more consistently
popular than Chaplin or Keaton and his films are funnier too. Although
he never took the credit he could have claimed to be the director of
all his silent features, this side to him, his domination of his work
has become obscured by time, limited exposure and his own innate
modesty.
Lloyd began his film career as
a Chaplin imitator first as a character called Willie Work later as
Lonesome Luke. He took a long time to find his feet as a film comedian,
learning his craft the hard way. He probably made around 100 shorts
before the results were any better than not bad but when he hit on the
glasses character he struck a nerve with the audiences of the time.
Lloyd's first notable film is the two reeler Bumping Into Broadway
(1919) and his rarely seen shorts include some gems like An Eastern
Westerner (1920), I Do (1921), Never Weaken (1921) and Now or Never
(1921). During the filming of Haunted Spooks (1920) he posed with a
fake bomb for publicity photographs but the bomb went off causing him
to lose the thumb and forefinger of his right hand, after that he wore
a special glove to conceal his disability.
Lloyd is most famous today for
his so-called thrill pictures in which he climbed buildings but he only
made five of these out of an output of well over 100 films. The most
well known image of Harold is of him hanging from the clock in Safety
Last! (1923) one of his best films. A few of his early features like A
Sailor Made Man (1921) and Doctor Jack (1922) are more flimsy in their
premises than the three reel shorts though all his films had very funny
moments. Lloyd was a master of sight gags and as a laugh provoker had
no rivals. Grandma's Boy (1922) added an extra dimension to his comedy
by incorporating character into the gag framework. The timid young man
who becomes a hero was to be a common Lloyd theme that he was to return
to in his best films like The Freshman (1925) and The Kid Brother
(1927).
Some sequences in the Lloyd
silents are among the most exciting and funniest in film history such
as the final chases in Girl Shy (1924) and Speedy (1928) and the
collapsing tuxedo in The Freshman (1925). Occasionally though Lloyd
reverted to his earlier feature work in films which had incredibly
funny sequences but lacked dramatic unity such as Hot Water (1924) and
For Heaven's Sake (1926).
Unfortunately he never quite
got a hang of the talkies despite some reasonable attempts Lloyd's
go-getting character didn't really work in the world of sound and
seemed indelibly linked to the roaring 20s. Sound appeared to emphasise
the character's defects but also Lloyd increasingly abandoned the style
of hilarious gag sequences for comedy founded on dialogue.
After his final disappointing
attempt at a comeback under the direction of Preston Sturges (The Sin
of Harold Dibblebock (1946)) he retired to his Green Acres mansion.
Having kept control of almost all his films he was a very rich man.
Through neglect Lloyd's
film-making genius has been forgotten certainly among general film
critics and the general public but he remains one of the funniest men
ever to walk in front of a camera.
FILMOGRAPHY
1913
FROM ITALY'S SHORES performer
1914 HIS HEART, HIS HAND AND HIS
SWORD performer
1914 SAMSON performer
1914 WILLIE performer
1915 A FOOZLE AT THE TEA PARTY
performer
1915 INTO THE LIGHT performer
1915 JUST NUTS performer
1915 MISS FATTY'S SEASIDE LOVERS
performer
1916 LONESOME LUKE LEANS TO THE
LITERARY performer
1916 LUKE LUGS LUGGAGE performer
1917
BLISS performer
1917 BY THE SAD SEA WAVES performer
1917 THE FLIRT performer
1917 LUKE'S BUSY DAY performer
1917 LUKE'S LOST LIBERTY performer
1917 OVER THE FENCE performer
1917 PINCHED performer
1917 RAINBOW ISLAND performer
1918 THE BIG IDEA performer
1918 THE CITY SLICKER performer
1918 IT'S A WILD LIFE performer
1918 ON THE JUMP performer
1918
PIPE THE WHISKERS performer
1918
SPRING FEVER performer
1919
BUMPING INTO BROADWAY performer
1919
CAPTAIN KIDD'S KIDS performer
1919
FROM HAND TO MOUTH performer
1919
HIS ROYAL SLYNESS performer
1920 AN EASTERN WESTERNER performer
1920 GET OUT AND GET UNDER performer
1920 HAUNTED SPOOKS performer
1920
HIGH AND DIZZY performer
1920 NUMBER, PLEASE performer
1921 AMONG THOSE PRESENT performer
1921 I DO performer
1921 NEVER WEAKEN performer
1921 NOW OR NEVER performer
1921 A SAILOR-MADE MAN performer
1922
DOCTOR JACK performer
1922 GRANDMA'S BOY performer
1923 SAFETY LAST performer,
screenwriter
1923 WHY WORRY? performer
1924 GIRL SHY performer
1924 HOT WATER performer
1925 THE FRESHMAN performer
1926 FOR HEAVEN'S SAKE performer
1927 THE KID BROTHER performer
1928 SPEEDY performer
1929 WELCOME DANGER performer,
producer
1930 FEET FIRST performer
1932 MOVIE CRAZY performer, producer
1934 THE CAT'S PAW performer
1936 THE MILKY WAY performer
1938 PROFESSOR BEWARE performer,
producer
1941 A GIRL, A GUY, AND A GOB
producer
1942 MY FAVORITE SPY producer
1947 THE SIN OF HAROLD DIDDLEBOCK/ MAD
WEDNESDAY performer

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Written content of the Golden Age of Hollywood Website (except where
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